Music section
The Montpelier Community Gospel Choir, an ecumenical community choir with members from 19 Vermont towns, celebrates its 20th anniversary season with a special spring concert in Brattleboro on May 31. The choir’s mission is to share the joy, hope and inspiration of music, especially during these challenging times. Their concerts are a great time to celebrate spring with family, friends and community.
Electric Fence will play Thursday night, May 15, at Whetstone Station in Brattleboro. We’re very excited to have our friends Mark Trichka on mandolin and Lisa Brande on fiddle for the show. Electric Fence is Steve Carmichael, Howard Weiss-Tisman, Jonny Sheehan and Jeremy Holch. We play original music and cover rock, swing, rhythm and blues and country, finding the funky groove throughout. Music starts at 8:30 and is free.
Get ready, Brattleboro. The wolves are coming to church.
The Brattleboro Concert Choir, directed by Susan Dedell, joyfully present Paul Winter’s “Missa Gaia” on Saturday, May 17th at 7:30 p.m. and on Sunday, May 18th at 4 p.m. Both concerts will be at Centre Congregational Church, downtown Brattleboro.
And the wolves? Their recorded voices, along with those of loons, whales, and harp seals, will join with the men and women of the Brattleboro Concert Choir in interconnected harmony in this joyful, rhythmic, and contemporary mass for the earth.
The Brattleboro Music Center is offering a full line-up of new
programs this summer.
Children as young as 5, teens and adults will find opportunities to play, sing and be part of ensembles.
Programs for kids include “Camp Presto” for 5-9 year-olds, which provides a great introduction to music and playing an instrument; “Time Traveling Through Music” for 7-12 year olds creatively explores time through music; “Traditional Arts Camp” for 9-14 year-olds explores traditional music and arts; “Musicals Workshop” for 7-12 year olds is all about singing for theater; “Chamber Music for Kids” for ages 9-12 and “Piano Duets” for ages 10-17, explore the fun of making music with others; there is a beginning guitar camp for ages 8-10; and also a place for horn players in the BMC’s Trumpet Camp for elementary and middle school students.
VJC Presents a CD Release Concert with the Convergence Project, Saturday, May 17th at 8:00 PM.
Eugene Uman’s Convergence Project is back for their yearly Vermont Jazz Center concert on May 17th at 8:00 PM, presenting music that fuses jazz and rock with Colombian rhythms. This concert will celebrate the release of a new album, Six Elements, recorded last October at Guilford Sound and mixed at Northern Tracks Studio in Wilmington.
NO EXPERIENCE NECESSARY!
Instrument provided!
The Adult Beginning Violin Class is a GREAT opportunity to explore learning an instrument, with no pressure or expectations. Just 5 lessons, then you decide if it is right for you.
The Adult Beginning Violin Class, is for true beginners interested in “trying out” an instrument. The ever patient and enthusiastic Michelle Liechti will lead this adult class on Thursdays, from 9:30-11 am, starting May 1, at the BMC. Tuition for 5 sessions is $50 and loaner violins are available.
Marlboro, Vt. — Friends of Music at Guilford presents its 5th Annual Celebration of Women in Music, the organization’s signature season fundraiser, at a private home atop Ames Hill in Marlboro on Saturday, April 26. Guests are treated to a generous buffet of hearty hors d’oeuvres and salads to enjoy on arrival, then are offered a sampling of desserts after the concert program, which begins at 7.
Next Stage Arts Project and Twilight Music present French-Algerian acoustic guitarist, singer and composer Pierre Bensusan at Next Stage on Friday, April 18 at 7:30 pm. If World Music is music that pays tribute to the spirit of a collection of human beings through distinct rhythms, traditional instruments and harmonic colors, Pierre Bensusan can be recognized as one of the most eloquent and diverse world musicians of our time.
Born in Oran, French-Algeria, in 1957, when France was decolonizing its Empire, Pierre Bensusan’s family moved to Paris when he was 4. He began formal studies on piano at the age of 7 and at 11 taught himself guitar. Influenced in those early days by the folk revival blooming in Britain, France and North America, Bensusan began first to explore his own diverse musical heritage and then moved to the horizons beyond. At 17, he signed his first recording contract, and one year later his first album “Pres de Paris” won the Grand Prix du Disque upon his debut at the Montreux Festival in Switzerland.
The Vermont Jazz Center will be presenting an evening dedicated to the memory of former board president, trumpeter and educator, Howard Brofsky on Saturday, April 19th at 8:00 PM. This special tribute will include performances by his close musical colleagues and family. In every community that Brofsky settled, be it Queens College, the Louis Armstrong House, the Vermont Jazz Center, or Brattleboro, Vermont, the people have benefited from his wisdom, charm and generosity. Like a single pebble in the water, his spirit lives on through the actions of his family, colleagues, students and friends who continue to channel his enthusiasm and his dedication to the spreading of jazz.
This Saturday evening concert will celebrate Howard’s life through music. Performers will include New York-based musicians Jay Clayton, Cordelia Tapping (voice), Alex Brofsky (horn), Tim Armacost (saxophones), Ray Gallon, Jorn Swart, (piano), Curtis Ostle (bass); local musicians will include Scott Mullett, Sherm Fox (saxophone), Draa Hobbs (guitar), Eugene Uman (piano), George Kaye (bass), Jon Fisher, Claire Arenius (drums). It is likely that surprise guests will appear at the last minute. It will be limited to two-hours.
Lee Chaney had a life-long love of musical instruments, especially those with keyboards. Over the years he built a sizeable personal collection of instruments of a wide variety, even setting up a small museum in his home so that others could view his collection. Formerly a Professor of Educational Psychology at Jacksonville State University in Jacksonville, Alabama for over 40 years, Chaney retired to Clinton, NC. He died there on March 4, 2012.
Recently, his son, John Chaney, decided that the Estey Organ Museum in Brattleboro was an appropriate home for a number of these instruments. In addition to several Estey reed organs, the collection included instruments by other builders who had a historical relationship with Estey, notably Riley Burdett of Putney, as well as instruments illustrating the development of the American reed organ. Further, the collection consisted of framed posters about organ building and other important archival memorabilia.
The Estey Organ Museum will host a Tour of Estey Organs in Brattleboro, VT on Saturday, May 17, beginning at 1:00 PM. The tour will begin at the First United Methodist Church (home of Estey Opus 1 from 1901) on Putney Rd and conclude at the Museum, 108 Birge Street. Eight pipe organs will be visited, most of which are in playing condition.
The event will include brief demonstration programs on most of the organs. Participants will receive handout sheets describing each instrument and its history. Refreshments will be served at the Museum, and visitors will see and hear the Estey “walk-through” pipe organ as well as other reed organs on display.
1:00 First United Methodist Church, Putney Road
1:30 St. Michael’s Catholic Church, 47 Walnut Street
Kurn Hattin holds its 7th Annual Jazz Invitational TONIGHT at 7 PM in the Higbie Auditorium in the Mayo Memorial Center at Kurn Hattin in Westminster, VT. With performances by several special guests and area youth jazz ensembles, it’s sure to be an amazing evening of swinging entertainment! AND…admission is FREE with a canned food donation for Our Place Food Shelter in Bellows Falls.
Need more encouragement? Here are our top 5 reasons why you ought to be there!
1) You’ll enjoy the sultry New Orleans sounds of local jazz singer, Samirah Evans, up close and personal!
2) Scott Mullett and the Keene Jazz Orchestra really know how to bring the swing!
3) Master of Ceremonies, Eugene Uman of the Vermont Jazz Center, makes everything go down smooth.
Sacred Works of Schütz and Mendelssohn
Directed by Mary Westbrook-Geha
This weekend, the Blanche Moyse Chorale will make a joyful noise with performances of sacred works by the German composers Heinrich Schütz (1585-1672) and Felix Mendelssohn (1809-1847). The concert will be performed twice: at 8:00 P.M. on Friday, April 11, at the Immanuel Episcopal Church in Bellows Falls, VT, and at 3:00 P.M. on Sunday, April 13, at Centre Congregational Church, in Brattleboro, VT.
Under the direction of Mary Westbrook-Geha, the Chorale will treat its audience to a rich selection of a cappella works by Schütz , from the heart of the Baroque period, and by Mendelssohn, from the heart of the Romantic period. The selected texts used by both composers are similar — either psalms or shorter biblical excerpts — but their musical settings are strikingly different. The contrast between their dynamic, harmonic, and polyphonic treatment opens a fascinating window into the cultural evolution that took place over the two centuries between the composers’ births. The concert’s title, “Make a Joyful Noise”, is derived from the text of Psalm 100, which appears twice in the program, in contrasting musical interpretations by both Mendelssohn and Schütz.
SINGING STRONG
A singing program for Seniors
Brattleboro Music Center choral director Susan Dedell leads “ Singing Strong,” a new chorus specifically designed for seniors. Singing has been making big headlines in the health field for the last decade, as multiple studies conclude that singing in a group is one of the most effective ways to stay healthy, alert, and happy throughout the course of a life time. Among its many benefits, singing boosts the immune system, improves heart health, lowers blood pressure, and reduces stress. Best of all, it makes you happier! Susan will lead everyone in songs chosen from a variety of musical styles, mostly from the great song repertoire of the 30’s, 40’s, and 50’s. Absolutely no prior singing experience or music reading skills necessary!
Next Stage Arts Project and Twilight Music present an evening bluegrass and newgrass by The Lonely Heartstring Band and The Stockwell Brothers at Next Stage on Sunday, April 6 at 7:30 pm.
The Lonely Heartstring Band is Berklee College of Music students George Clements, Patrick M’Gonigle, Matt Witler, Gabe Hirshfeld and Charles Clements. Their music is a combination of old and new styles, melding the sounds of traditional bluegrass with modern songwriting and arranging. The band began with a common love for the music of The Beatles, bringing some of their favorite songs to life while attempting to remain true to the original arrangements.
Kurn Hattin Homes for Children invites the public to attend its 7th Annual Jazz Invitational Wednesday, April 9th at 7:00 pm featuring special guests: the Keene Orchestra, directed by Scott Mullett, jazz singer Samirah Evans, and with Master of Ceremonies, Eugene Uman of the Vermont Jazz Center. This year’s program features youth jazz ensembles from Bellows Falls Union High School, Brattleboro Area Middle School, Northfield Mount Herman, Kurn Hattin Homes For Children, Vermont Academy, and the Vermont Jazz Center.
On Friday, April 4, the Brattleboro Music Center presents Musicians From Marlboro at Centre Congregational Church in Brattleboro, VT, in the final concert of its 2013-14 Chamber Music Series.
Musicians From Marlboro, the touring extension of the Marlboro Music Festival in Vermont, offers exceptional young professional musicians together with seasoned artists in varied chamber music programs. The resulting ensembles offer audiences the chance to both discover seldom-heard masterworks and enjoy fresh interpretations of chamber music favorites.
Innovative, original jazz, influenced by Colombian rhythms. Featuring saxophonist, Jaleel Shaw
The Vermont Jazz Center will present Colombian pianist, Carolina Calvache, performing as part of our Emerging Artist series. This young artist has all the qualifications that the VJC is celebrating in this series: she is launching her first CD with a major jazz label (Sunnyside), she is a creative composer, she is highly accomplished on her instrument. She is a rising star in the eyes of both critics and peers and she is traveling with her own band. Her musicians have studied and performed her complex material and are able to transcend its technical demands and add to the beauty of her vision. These musicians are Jaleel Shaw on saxophone, Yasushi Nakamura on acoustic bass and Rodrigo Recabarren on drums.
Guilford, Vt. – Friends of Music at Guilford has been providing the Guilford Central School with a Music Enrichment Program residency for the past six seasons, with partial funding from the Max Y. Seaton Trust. The balance of the budget is raised by a public concert in Brattleboro featuring the program’s residency artists and also, for the past three seasons, by a Spaghetti Supper held at the school.
This year’s pasta supper is set for Wednesday, March 26, from 5 to 6:30 p.m., and is followed by a School Music Night concert; the school is at 374 School Rd. in Guilford Center. The menu includes pasta with a gluten-free option, a vegetarian sauce made from scratch, homemade meatballs for carnivores, green salad, artisan bread with plain or garlic butter, beverages, desserts and a sundae bar.
We arrived fashionably late for the Future Collective show Friday night and missed Wooly Mar’s opening. We regret that but we had the bill upside down.
Wooly Mar is Maria Pugnetti, an “intermedia artist” living in Northampton, MA, who has done various musical things through the years, usually described as some kind of folk music. Currently, she’s doing her own thing with a fluctuating group of musical collaborators, of whom we heard one, a bass player named Kurt. Armed with a compact array of keyboard, drum machine, effects units, and other gear, she coupled sounds and effects with her own sinuous voice in a way that was frankly mesmerizing and slightly levitational. I don’t think I’m exaggerating when I say that this woman was luminous, or as one girl shouted out, “pure magic.”
