Arts

After reading over the comments to the story on the Our Town arts grant, I found a lot of questions percolating that don’t yield quick or easy answers.  Although it’s our tendency as a culture to treat arts as a frill, they’re clearly important to people, as evidenced by the amount of interest in this topic.  Art matters, as they say.  So let’s think about art.  On to the questions, in no particular order:

1) What is “the arts sector”?  Professional artists?  Businesses and organizations?  What about the many arty people who do art for its own sake and provide an audience for all the other artists?  Where is the arts sector?  Should the arts sector work together?

In the proposal for the Fantastic Wantastiquet festival, I am advancing the premise that the Connecticut River ought not to be regarded as a border in the ‘special case’ area of the arts and culture. Why?

Well, did you ever wonder about why the river is regarded as a border? It’s not a border south of here in Massachusetts or Connecticut.

These two William Hays portraits of notable people in Brattleboro, Vermont, among a score or so of portraits he painted as part of his Local Portraits Of Brattleboro Series, are on exhibition in the front window of Angel Boy Arts (next to Shin La Restaurant) through the end of this month.

Looking through William’s blog for April 2001, I was just reminded that the Dr. Wayne London portrait, the one on the right (of course) won the Dr. Robert L. Bartolli Memorial Award of the Academic Artists Association in 2001. As the winner, it was exhibited at the 51st National Exhibition of Contemporary Realism in Art, which was held in Springfield, MA.

New exhibit in cardiology suite features 18 artists represented by local gallery Vermont Artisan Designs

BRATTLEBORO, VT — Patients and visitors to the cardiology suite at  will have an opportunity to view artwork by some of the region’s finest artists in a new exhibit entitled “Scenes from New England,” which opens with a free public reception on Thursday, June 4 at 5:00 p.m. The exhibit is part of a program called Art for the Heart, a collaboration between BMH and the .

The artists featured in the exhibit are all represented by the Brattleboro gallery . They include Anne Cady, Jerry Cajko, Caroline Christie, Barbara Coburn, Sabra Field, Carol Gobin, Charlie Hunter, Deedee Jones, Deb Lazar, Alistair McCallum, Will Moses, Deborah Randall, William E. Roberts, Jr., Janis Sanders, Marjorie Sayer, Jeanette Staley, Paul G. Stone, and Charles Townshend.

On Thursday, May 28 Lauren Olitski’s exhibit Painting From Nature will be opening with a reception at Mitchell • GIddings Fine Arts from 5 – 8pm at 183 Main Street, Brattleboro.

Painting from Nature will be the featured exhibit from May 28 to June 28, 2015 and will include an artist’s talk on Sunday, June 14th at 5 pm. This talk will be free and open to the public.

Join Michel Moyse for an introductory talk on Art Rage for the iPad, on Wednesday, May 20, at 7 PM in the library’s meeting room. The library will provide three iPads with Art Rage loaded and there will be another one provided by Michel. This talk is free and open to the public.

Michel Moyse, artist, filmmaker and teacher, is Artistic Director and Co-Founder of the Center for Digital Art in Brattleboro, Vermont. Michel has an extensive background in film and experimental art. His multi-screen video artwork has been shown in the United States and abroad. Prior to his position as Artistic Director of CDA, Michel was Sound Editor in New York City for such directors as Woody Allen, Brian De Palma, Jonathan Demme, and Peter Yates. Michel has a Masters in Art Education from New York University.

ON EXHIBIT for the Month of May at Brooks Library

MAIN FLOOR: RAYE ARNAULT Close-up photographs presenting a unique perspective on things in the natural world.

2ND FLOOR CHILDREN: AMY HUNTINGTON Children’s book llustrator of “Grandma Drove the Garbage Truck”.

Local Brattleboro artist Ray Arnault presents her work in the Brooks Memorial Library beginning May 1, 2015 at 224 Main Street in Brattleboro, Vermont. Her artistic photographs will be on view throughout the month of May in the ground floor Main Room of the library.

From the library’s balcony, Arnault’s photos of “Stone People” who pose immobilized and mute yet seemingly alive with a sense of purpose and direction, are some of today’s most unique visual displays from a local artist.

“We Need to Re-Connect with Nature!”

“I’m ‘wired’ for visionary thinking — though I’m good at mathematics and abstract ideas, I have enough deep compassion to speak out and say, ‘this is not working; we’re out of touch with ancient and deeply spiritual ideas’.

“So I’m a ‘doc’, helping sick people get better, but I’m also a teacher, reminding people of forgotten and misunderstood history, practices, wisdom, and lore.” 

Wayne P. London M.D., whose oil portrait by Brattleboro artist William H. Hays (at right) will be displayed in the front window of the new Angel Boy Gallery, next to Shin La Restaurant, during the month of May, 2015 and as part of the Friday,  May 1 Gallery Walk.

William H. Hay’s ‘Local Portrait Series’ will be honored and recognized in the front window of the new Angel Boy Gallery, located next to Shin La Restaurant, for a month beginning this Friday. The exhibit will include a few of the actual portraits!

“I Discovered I Could Express A Person’s Essence!” — William H. Hays

“In the early 2000s, I was in an artist’s ‘dry spell’ similar to a writer’s block. Friends counseled me that I ought to try a different approach. I thought about it, then I took a trip overseas to relax and await new inspiration. So I happened to be at the Rijksmuseum in Amsterdam and saw a Rembrandt; a portrait of an old woman. I was surprised to discover that because of the qualities of the portrait, I knew who she was! Then I immediately had the thought:

”I can do that!” — William H. Hays

by Tom Fels
 
Establishing an independent artistic personality is a key challenge for most photographers, even more so when their name already conjures up one of the best known figures in the field. For photographers in the second half of the twentieth century, the work of Diane Arbus brought a sea change, the arrival of a significant personal vision which has been characterized as rendering strange the familiar and uncovering the familiar in the strange. Most conversant with the art of the past few decades would recognize her work.
 
For her daughter Amy the first solution was to stay away. She didn’t take up photography seriously until her early twenties. From that point on, however, she has been determined to blaze a path of her own. Today, decades later, we can see where her efforts have taken her.

I am proposing a multi-disciplinary arts and cultural festival to take place annually in and around Brattleboro during the ‘fall foliage’ season. In practical terms this will mean from the beginning of September through the week following Columbus Day.

Here are some thoughts about the Festival which I have recently put into writing. Please note that one of the functions of the festival is to focus extraordinary funding for the arts into that season or window of time.                                            [Photograph by William Hays]

I am seeking individuals who may be interested in serving on the founding Board of Fantastic Wantastiquet. This will be a non-profit organization, will seek funding through grants and charitable donations, and will distribute grants whose arts & cultural work projects contribute to the local economy and to the themes and purposes of the Festival.

With Brattleboro artist William Hays ending 25 years’ presence in the downtown on Main Street, several of us have gotten together to try to honor his contributions to our community’s cultural life. Accordingly, we are seeking places to display portraits by Hays which are part of his Brattleboro community portrait series.

We’ll anchor these Hays retrospective displays with a front-window feature of two of his best-known portraits, those of ‘Nina’ (NIna Singleton-Spencer, now the bass player for The Snaz), and of Wayne London, the iconoclastic psychiatrist / metaphysician who is founder of the Brattleboro M.A.S.H. Unit (Metaphysical and Spiritual Healing).

April 2015, Brattleboro, Vermont —  Thursday, April 30 an opening reception for an exhibit of acclaimed photographer, Amy Arbus, will be held from from 5 – 8pm at Mitchell • GIddings FIne Arts at 183 Main Street, Brattleboro. 

The exhibit, After Images, will run from April 30 to May 24 and is a series Arbus made in 2011 and 2012 to payhomage to her favorite painters such as Balthus, Cezanne, David, Ingres, Modigliani and Picasso. The images will seem familiar to most viewers. They are photographs of live scenes staged to replicate the powerful effects of original paintings from the early 20th century, Arbus’s team painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography.

Sharon Myers is known as a caterer in Brattleboro. She is also an artist who is about to receive her MFA in Fine Arts from Heartwood College of Art in Biddeford, Maine. She works with fabric, mixed media and sculpture. She has drawn on her multiple talents to create a moving installation called “The Wedding Gown Project.” For those who are beyond first (or second or…) marriages there is much in this exhibit that will resonate. Everyone will be drawn in by both the artistry and the execution.

The “Wedding Gown Project” is up for only two days, Saturday, April 11 and Sunday, April 12 at the seventh entrance in the C. F. Church Building at 80 Flat Street. Hours on Saturday are 3:00 – 7:00 PM and on Sunday from 3:00 to 5:00 PM.

C.X. Silver Gallery (http://cxsilvergallery.com/) is pleased to present ‘In The Box’, a recent series of mixed media abstract paintings by Cai Xi. Please join us for conversation with Cai on the Art-Food Connection and hands-on demonstration. Cai will demo how to make 盒子 (hezi) – or ‘boxes’ – a wheat flour mini-dumpling-based dish. Audience participation will be welcome.

Cai: “I look at my life the way I look at a blank canvas.  In front of the blank canvas, there are millions of opportunities. Putting brush to canvas zeroes in on one opportunity to savor. Each opportunity creates and adds to what I call the whole of the art experience. Each instance of this arrival at one-among-many is a part of my art creation process – eating, working, playing.”

Scale and Presence is an exhibit of masterly crafted large scale ceramics on display at Mitchell•Giddings Fine Arts, 183 Main Street, Brattleboro Vermont. The show will run through April 26, 2015 highlighting a new body of work by Brattleboro artist, Stephen Procter.

Known for the disciplined lines and unglazed surfaces of his historically-inspired monumental vessels, Procter’s more recent work revels in the sensuality of curves and the painterly effects of layered glazes. Whether austere or exuberant, these vessels transcend the usual experience of pottery and broach the realm of sculpture. Alongside human-sized vessels, Scale and Presence will introduce a series of smaller pieces and non-traditional shapes including colorful wall pieces, called “orphan lids.”

The Artist’s Loft has overlooked Main Street for almost 25 years and this will be the last Gallery Walk for William Hays’ studio and gallery.

Hays opened The Artist’s Loft Gallery and studio in June of 1990. It has been in continuous operation since that time. Although initially the gallery showed the works of a variety of artists, in 1995 the gallery began presenting only Hays’ work. He says, “After a few years of being an artist and operating a gallery with rotating shows , I became exhausted by organizing the exhibitions each month. Besides, I had enough of my own paintings to fill both rooms of the gallery.”

Sunday March 15, I will be reading aloud, ” The Revolt of Mother” by Brattleboro resident, Mary Wilkins, on WVEW, as part of the Write Action Radio Hour. This is one of her most anthologized stories, and is considered a small masterpiece. It is told with compassion, anger, attention to detail, and humor.

How her life in Brattleboro helped shape her life, is touched on . In addition to “The Revolt of the Mother” we will also hear a brief newspaper account from the Vermont Phoenix, about the Hanson Tyler, the man she fell madly in love with, but whom declined her romantic overtures. He remained the love of her life, and themes of independence, as well as frustrated love, became repeated themes of her stories. The article is from the 1880’s.

West Brattleboro, Vt. — The Arts Committee of All Souls Church is hosting an opening reception for “A Mix of Oil and Water,” an exhibit of oils and watercolors by John Dimick of Guilford, on Saturday, March 7, from 2 to 4 p.m. Three dozen works are featured, primarily landscape paintings and prints of scenes in the surrounding region. Several studies of downtown Brattleboro capture the town from unusual vantage points, such as along the railroad tracks. A few of the featured works are pairings of the same scene in both mediums to allow viewers an interesting comparison of Dimick’s creative techniques.