If you’ve studied Japan, you’ve probably come across a wonderful book called the Book of Tea by Okakura Kakuzo. In it, the traditional Japanese tea ceremony is explained. What one learns is that there is art in tea, and the tea ceremony is a reflection of life and culture.
This is the opposite of Dunkin Donuts drive-thru. A tea ceremony tales a while, and allows the tea drinker to relax and focus. Each move is deliberate. There is a right way and a wrong way to do each step. Each utensil is special and handled with care. Everything is shown respect.
I saw the Today in History Column had a mention of a Belva Lockwood Burlesque, and thought that other readers would be interested in knowing that Belva was a famous advocate of women's rights in her day, and that men in numerous towns created Belva Lockwood burlesques, where they would mock her, apparently by dressing up in drag, and mocking her, as near as I can make of it from reading old books that have been digitized.
Here is the wikipedia biography.
ACT 46 STUDY COMMITTEE
Representing the Brattleboro Town School District, Dummerston Town School District,
Guilford Town School District, Putney Town School District and the Vernon Town School District
REVISED NOTICE OF MEETING
The Act 46 Study Committee will meet at 6:00 p.m. on Thursday, September 22, 2016 at the Putney Central School.
I. CALL TO ORDER – 6:00 p.m. – Alice Laughlin, Committee Chair
II. REVIEW, PRIORITIZE AND ESTABLISH DESIRED OUTCOMES FOR MEETING BY CHAIRPERSON.
III. REVIEW COMMITTEE MEMBER ROLES AND PUBLIC COMMENTS BY CHAIRPERSON
I've taken up Rolf's challenge to create a puzzle. I haven't hidden any prizes, but this could certainly be adapted to become a treasure-seeking endeavor in the future. Enjoy!
LSCMOS makes a square
BBMDEGHJWOWEPMLC are simply around
RO WB are varieties
and ACPMC also in pies can be found
BCTV channel 8 schedule for the week of 9/19/16
Monday, September 19, 2016
12:00 am Rock Voices - 7/29/16 Concert
1:25 am UVM: John Abele Inaugural Stetson Lecture 8/23/16
2:30 am Wolf Peaches / Poisoned Peas & Madame Pompadour's Underwear
3:45 am Senior Moments: Alzheimer's Disease Pt 1
5:00 am GMMT: Friday News Show
“Then Miriam the prophetess, Aaron’s sister, took a tambourine (also called “Tof Miriam” or “Frame Drum”) in her hand, and all the women followed her, with tambourines and dancing”-Exodus 15:20.
Brattleboro Area Jewish Community will be hosting Marla Goldstein leading a frame drum workshop titled ‘Rhythm & Songs of the Tof Miriam Drum’. The Tof Miriam is a very special and important instrument for the Jews. Played during the splitting of the Red Sea, it symbolizes freedom, joy, and celebration.
Here’s a handy skill everyone should have - how to solder. Knowing how to use a soldering iron greatly expands your ability to make home repairs and build useful and interesting electronic devices.
This short video gives some tips and tricks for basic soldering of both wires and components.
Brattleboro, Vt. - Friends of Music at Guilford presents the Vermont Virtuosi Flute Ensemble, seven of the finest orchestral and solo flutists in New York, Vermont, and New Hampshire, at 7:30 p.m on Saturday, October 1, in the sanctuary of St. Michael's Episcopal Church. The Barre Montpelier Times-Argus says, “Vermont Virtuosi concerts are
now among the most rewarding chamber music performances in the state.”
"Pipe Dreams 5” is the back-by-popular-demand fifth public program by Vermont’s only professional flute choir. Playing five different types of flute, from petite piccolo to colossal contrabass, the ensemble will perform transcriptions of works by Bernstein, Vivaldi, Doppler, Debussy, Gershwin, and Leroy Anderson as well as original works by Vermont composers David Gunn and Dennis Bathory-Kitsz—whose piece was commissioned by Vermont Virtuosi.
Fourteen youth rock bands and solo artists will take the stage at 118 Elliot in downtown Brattleboro, Vermont on Saturday, October 1 for BrattRock 2016, the first Brattleboro Youth Rock Festival. Performances will take place on two stages, one indoor and one outdoor, between 5:00 and 10:00 PM. Gates open at 4:30 PM. The festival will also feature food vendors, as well as an arts and crafts activity tent hosted by the River Gallery School. All are invited to attend this family-friendly event.
Advance tickets are available online via the BrattRock website at www.brattrock.org. Prices are $8 adults/$6 students in advance and $10 adults /$8 students at the door. Proceeds from the event will be donated to Youth Services.
Kurt Rosenwinkel’s “Post-jazz Sonic Trio” to perform at the Vermont Jazz Center on Saturday, September 17th at 8:00 PM
On September 17th at 8:00 PM, the Vermont Jazz Center will kick off its 2016-17 season with a guitar enthusiast’s dream: Kurt Rosenwinkel and his “post-jazz sonic trio of breathtaking virtuosity.” His new group, Bandit 65, is fresh off of two European tours and performances in Los Angeles, Montreal, Philly and Boston. Bandit 65 explores the potential of combining drums with two guitarists replete with looping pedals and electronic enhancement to create a brand-new sonic landscape. Guitarist Pat Metheny has stated “I admire the musician who makes the commitment to ask the harder musical questions that transcend the everyday issues of style and idiom, such is Kurt Rosenwinkel – a thinking guitarist who is working hard to come up with answers that meet his own personal criteria of what music is and what music can be.” Never one to sit on his laurels, Bandit 65 represents Rosenwinkel’s next phase of development, a distinct move from the Standards Trio he has been touring with the past few years.
Bandit 65 is Kurt Rosenwinkel on guitar and electronics, Tim Motzer on guitar, prepared guitar, loops and electronics and Gintas Janusonis on drums, percussion and “circuit bent toys.” The music they play is outer-worldly, filled with varied sounds, textures and grooves; it is exceptionally dynamic, exploring the range that exists from the “spaces in between the notes” to “sheets of sound.” The music we will be hearing on September 17th is not bebop, swing or the sophisticated, composed melodies that many of us are accustomed to hearing from Rosenwinkel. It is a new, progressive exploration of the counterpoint of never before heard sounds. Like Miles Davis, Rosenwinkel is too impatient to stand in one place for too long - his brilliant, curious mind will not be constrained to recreating his past successes. Like Metheny states, this new group is Rosenwinkel’s response to “transcending the everyday issues of style and idiom.”